6th of April 2024, a special day
6th of April 2024, a special
day
For an
ABBA fan, it was extremely difficult to stay home on a day as special as the 6th of April 2024.
The day
began with the “Piano Moment”, a new version of “Waterloo” orchestrated by
Benny, echoing across cities worldwide on a remotely controlled
piano.
In Stockholm,
the meeting took place at 10:00h in the morning at the NK department store in
the city centre.
It was
quite brief, and because the store staff took too long in opening the doors, we
arrived in front of the piano just as it began to play.
Oficial videos
For the
event’s occasion, they also placed a replica of the costumes from the 1974
performance of “Waterloo.”
I bought for
myself a “Waterloo” vest with the matching cap and the vinyl record.
At
exactly 12 hours and 15 minutes, we were at the royal palace where the changing
of the guard at the “Waterloo” crossing was scheduled to take place.
At 4:00
p.m., the city of Stockholm organized an ABBA sing-along with the group
Waterloo in Kungsträdgården.
Helga was
also there, although unfortunately I couldn't see her.
Obviously,
it started with the song of the day.
Despite
the chill weather, camaraderie
warmed up the air. Totally opposite to the frosty
reception that the Swedish victory
met in 1974.
All enthusiasts
sang united in harmonious celebration, facilitated by a giant screen projecting
the lyrics and a QR to see the same lyrics on the smartphones.
It was a
60-minute concert, which allowed me time to attend the remaining events.
The
security agents were very attentive... to the show.
The ABBA
Museum had also organized activities all afternoon. However, as we had other
priorities, we arrived at half past five, just in time to see the second
appearance of the Museum's choir.
The choir
was also there to promote their new CD, which was released on the same day.
If you are interested, you can listen to the CD on Spotify.
Ingmarie
made the introductions first. Next, we heard the first song: “I Still Have
Faith In You”, which does not appear on the CD.
They
sounded much better than the album I had listened to on Spotify that morning. One
day, I would like to see the choir in a good concert hall with better audio and
visibility conditions. They're as good as the best cover bands.
Everyone
who came to the Museum that day received an anniversary badge.
I
couldn't help but buy two souvenirs in the museum store.
At half
past seven we had to be in Cirkus, which, fortunately for us, was practically
in front of the museum. In Cirkus took place the event that convinced me to go
to Stockholm: the live recording of the “En Fest För ABBA” program featuring
Swedish artists performing ABBA's greatest hits.
The
program has been widely advertised in the media.
At the
beginning, they started giving us instructions on what we should do at certain
times. Among other things, we had to shout our joy for being there, turn on the
lights on our cell phones at the right times and sometimes repeat the
presenter's words. A very well executed and coordinated job by all
participants.
Just
before the broadcast began, the Kings entered through a thunderous applause,
moment where I took advantage of to take a selfie with them. Although, well,
technically they weren't exactly behind me.
I feel it’s
a pity that ABBA’s members (except Görel, who was there), ignored such an
important event, especially with the presence of the Swedish Kings.
However,
what they did do was to record a message which was transmitted at the beginning
of the program.
As the
show began, the cameras started spinning everywhere around us. There were two
cameras moving, one flying above us and another one on the shoulder of a cameraman
walking across the stage.
Although
several internationally renowned artists had been announced, such as those from
SVT's “Thank You For The Music” video, at the end, there was only local artists
who performed ABBA’s songs presented by Oscar Zia.
However,
this did not affect the quality of the performances at all. Some arrangements
were surprising and modern. The only thing I didn't really like was the
performance of “The Winner Takes It All”, a version performed by a man, which
is curious, since it was a woman who performed “Does Your Mother Know”. I did
like this second version.
Anecdotes
and stories about the group were interspersed between the songs. They appeared
on two screens placed on the sides of the stage, with English subtitles.
A contest
was organized on the program with two candidates, who were none other than Jane
Henry and Gordon White, well known in the Fanclub (Jane makes her ABBA costumes
herself and was present at the ABBAday as Agnetha).
The Kings
stood up twice: the first time at half past nine, the exact time when ABBA won
the contest in 1974. The entire orchestra and all the participants sang enthusiast
the song together with the audience. The second time was when the same
orchestra performed “Dancing Queen.” Obviously, I didn't need to record
anything since the SVT did it for me, but at that moment, I took out my camera
to record the Kings dancing their song.
I really
enjoyed both the concert and the programme, and I will be delighted to see it
again in a few days on television.
After so
many hours on my feet, I was happy to return to the hotel to rest a little bit before
returning home the following day.
Unfortunately,
the
press's post-event critique was not very kind with the artists.
In short, the day went very well. I was in the company of two old friends, and I also met fellow enthusiasts that I already knew from the ABBAday in Roosendaal last month.
Now I
have time to rest until my next ABBA event, which, coincidentally, is again a
concert by the group Waterloo, although this time is in Brussels, the city of
my childhood.
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